In this second installment of his exploration of creativity, Hermann Vaske looks for factors that inhibit it. He asks artists, activists, and thinkers about things that kill their creativity.

The film, "Why We Bang," produced and directed by Orlando Myrics and Clifford Jordan for Ghetto Logik Entertainment is an independent film that documents the historical background of LA's Bloods and Crips gangs, then transitions into several interviews of current and former members of the Bloods and Crips of Los Angeles. 　　Ghetto Logik, a Film Company based in South Los Angeles offers their first urban documentary as a result of being disappointed in seeing outsiders far too often portray the stories of ghetto residents. "We just got tired of seeing people, not from our community making so called "Hood movies" that did not really depict what our community was all about, our goal is to bring real images and real stories about real people to the big screen." 　　Their first effort, "Why We Bang" is an in-depth look into Gang Culture in Los Angeles that shows up-close, the life in South Los Angeles, talking and walking with real gang members first hand. Their approach was to show the gangs, their motivations and deadliness and to capture the voices of the mothers who have lost children to the violence that gangs bring. Their story, through several narratives will inform you Why We Bang.

The film, "Why We Bang," produced and directed by Orlando Myrics and Clifford Jordan for Ghetto Logik Entertainment is an independent film that documents the historical background of LA's Bloods and Crips gangs, then transitions into several interviews of current and former members of the Bloods and Crips of Los Angeles. 　　Ghetto Logik, a Film Company based in South Los Angeles offers their first urban documentary as a result of being disappointed in seeing outsiders far too often portray the stories of ghetto residents. "We just got tired of seeing people, not from our community making so called "Hood movies" that did not really depict what our community was all about, our goal is to bring real images and real stories about real people to the big screen." 　　Their first effort, "Why We Bang" is an in-depth look into Gang Culture in Los Angeles that shows up-close, the life in South Los Angeles, talking and walking with real gang members first hand. Their approach was to show the gangs, their motivations and deadliness and to capture the voices of the mothers who have lost children to the violence that gangs bring. Their story, through several narratives will inform you Why We Bang.

A 30 years odyssey: the world's most intriguing artists and thinkers from the fields of visual art, music, filmmaking, acting, literature, philosophy, politics, business and science, are asked the same question: "Why are you creative?"

The story focuses on Newark's Baraka family and its involvement in social activism, poetry, music, art and politics.

Recently separated and struggling to raise her teenage daughter, a single mom takes a job as the caretaker of an exotic animal gallery in a billionaire's lavish estate, only to realize that she has been lured there for sinister purposes.

An uncensored look into the lives of the female stand-up comedian. Featuring interviews and live performance footage from some of today's most prominent female voices in stand-up comedy and entertainment, this revealing documentary sheds light on the legacy of the female comedian and the dedication, courage and passion that is required to be successful in the male dominated stand-up comedy business.

In a chaotic dystopian Canada, Caleb Jacobs, a gruff survivalist is faced with tough decisions when he decides to take in a frozen refugee from the south.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

Young-in and his colleague Seung-dae are a pair of professional bagmen working for various lobbyists in finance, media and a host of other industries requiring political favors. Feeling guilty about his work, Seung-dae tells Young-in he plans on blowing the whistle on his boss Han's illegal activities.